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Head II
''Head II'' is an oil and tempera on hardboard painting by the Irish-born British figurative artist Francis Bacon. Completed in 1948, it is the second in a series of six heads, painted from the winter of 1948 in preparation for a November 1949 exhibition at the Hanover Gallery, London.〔Russell, 38〕 The figure seems half human, half animal, and has disintegrated to an extent that, like the preceding ''Head I'' of the series, the entire upper head has disappeared leaving only mouth and jaw. The figure is set in a shallow pictorial space, and is positioned behind curtains that borrow from Titian's 1558 ''Portrait of Cardinal Filippo Archinto''. The curtains are fastened at one point by a safety pin. John Russell sees the curtains as enclosing the figure, as if the walls of a prison or execution dock. Remarking on their dreary and drab appearance he further speculates that they seem "stiffened by fifty year's ''crasse'' of a tenth rate lodging-house; or they could be sliding shutters that has been pulled apart to admit a new victim."〔Russell, 35〕
The painting's overall grisaille appearance give the impression of x-ray photographs, and the look may have been inspired by K.C. Clark's "Positioning In Radiography", a book Bacon often acknowledged as a key source for his work. The painting contains a small arrow just below the figures mouth; the first appearance of a motif the artist was to continue using for the rest of his career.〔Dawson, 44〕
==References==
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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